Inspired by the true story of Depression-era serial killer Harry Powers, The Night of the Hunter, first published in 1953, is an old-timey thriller featuring the dynamic, psychopathic, mercenary preacher, whose name is changed to Harry Powell for the novel. Powell, commonly known as Preacher, seeks out and marries a widow, Willa, whose late husband hid a large stash of money somewhere on their property. Willa doesn’t know where the money is, but her two young children, John and Pearl, do. Powell sets off on a psychological-turned-physical hunt to discover the children’s secret.
Grubb uses his novel to criticize the questionless credence some people give to anyone who declares himself a “man of God” and who publicly (emphasis on publicly) behaves according to those expectations. The book also takes a delightful feminist tack in the character of Rachel, the primary heroine, who demonstrates a superior level of resourcefulness, intelligence, love, and strength, independent of any man, standing in commendable contrast with the foolish, meddlesome, and sheepish townswomen.
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| Mugshot of serial killer Harry Powers, 1920 |
Grubb’s narrative is eloquent and smart, and his crafting of the townsfolks' dialect enhances his portrayal of rural Americana, which isn’t especially complimentary. While he employs stereotypes of small-town ignorance, the characters are never corny, and Grubb differentiates between simplicity and stupidity. His smart characters aren’t fancy, but they’re strong and sharp.
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| Davis Grubb (Photo from lib.wvu.edu) |
The story’s plot is compelling. The author creates suspense and evokes strong and appropriate emotions about each character, good and bad. The stereotypes are recognizable, but they don’t create a predictability that detracts from the story. Instead, the roles support and strengthen the telling of this classic American thriller. Read it and enjoy the retro ride.
